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Lots of stuff is still broken, but at least reviews can now be looked up and read.
Bowfinger (Blu-ray) (1999)

Bowfinger (Blu-ray) (1999)

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Released 5-Jul-2017

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Details At A Glance

General Extras
Category Comedy None
Rating Rated M
Year Of Production 1999
Running Time 96:47
RSDL / Flipper No/No Cast & Crew
Start Up Menu
Region Coding 2,4 Directed By Frank Oz
Studio
Distributor

Shock Entertainment
Starring Steve Martin
Eddie Murphy
Heather Graham
Christine Baranski
Jamie Kennedy
barry Newman
Adam Alexi-Malle
Kohl Sudduth
Terence Stamp
Robert Downey Jr.
Case Standard Blu-ray
RPI $12.95 Music David Newman


Video Audio
Pan & Scan/Full Frame None English DTS HD Master Audio 5.1
Widescreen Aspect Ratio 1.85:1
16x9 Enhancement
16x9 Enhanced
Video Format 1080p
Original Aspect Ratio 1.85:1 Miscellaneous
Jacket Pictures No
Subtitles None Smoking No
Annoying Product Placement No
Action In or After Credits No

NOTE: The Profanity Filter is ON. Turn it off here.

Plot Synopsis

    Fluffy, lazily-constructed Hollywood comedies are all the rage these days, and it’s therefore refreshing to behold a genuinely good studio-produced comedy. Fuelled by a colourful cast, Frank Oz’s amiable directorial touch and a delightfully witty, huggable script by star Steve Martin, Bowfinger is one of the best films of its kind. On top of providing a solid hour and a half of lull-free entertainment, Bowfinger hilariously takes the p*** out of the Hollywood movie industry, with its complicated politics, pretences and superficiality. However, the film also reinforces the well-worn but nonetheless heart-warming message which lies at the centre of Tinseltown: that you can achieve your dreams if you possess the determination and drive.

    The title character, Bobby Bowfinger (Martin), is a struggling wannabe movie producer attempting to get his next picture off the ground. Pushing fifty years of age, the optimistic Bowfinger reads a script (written by his Iranian accountant) entitled "Chubby Rain"; a cheesy science fiction story about aliens arriving on earth in raindrops. Bobby is unable to secure Hollywood’s hottest actor, Kit Ramsey (Eddie Murphy), for the leading role, but nonetheless lies to his loyal crew; telling them that Kit has agreed to appear. To deal with the obvious problem facing him, Bobby decides to follow Kit and secretly film the star while his actors simply stroll up to him and say their lines. None the wiser about the whole scheme, Kit soon starts to believe that aliens are actually trying to abduct him.

    Bowfinger is absolutely dynamite in terms of story, with the unique premise allowing plenty of leeway for a series of hilarious gags and set-pieces. It’s especially amusing to watch the inventive Bowfinger finding an answer for every problem. For instance, to covertly light one scene he has a (Mexican immigrant) crewmember hold a reflective “Work for Food” sign nearby. Meanwhile, the scenes of Bowfinger’s actors interacting with the unwitting Kit are side-splitting. Yet, the film is not merely a string of dumb laughs - each comic set-piece is beautifully sewn into the fabric of the narrative and has a purpose. Oz was the right man for the job here; his masterful understanding of comedic timing and pacing is a tremendous asset. And even when the jokes take a break, Bowfinger is still zippy and entertaining because, unlike lazier comedies, the film has forward momentum, a legitimate plot and a bunch of characters that you find yourself caring about. And just when you think the best comedic moments have and gone, the film concludes with an excerpt from Bowfinger’s next magnum opus that’s guaranteed to have you rolling on the floor in fits of laughter. Indeed, the sense of fun never wanes, and you’ll be left yearning for more movies of this comic calibre.

    Bowfinger is also more thoughtful than typical mainstream comedies - it’s primarily a biting satire of contemporary Hollywood. It’s to Tinseltown what This is Spinal Tap is to rock stars. The clever satire is most prominently present in the depiction of the cult religious group “MindHead”; an obvious send-up of the Church of Scientology. Additionally, Martin and Oz take several satirical jabs at the big, successful studio executives who are not overly passionate about the film industry and only care about the bottom line. See, Bowfinger is a lowly wannabe filmmaker who wants to make movies because he loves doing it, not because of the money. Like the infamously bad Ed Wood, Bowfinger lacks talent, but he is dedicated and enthusiastic; two characteristics missing in both the egotistical Kit Ramsey and the self-centred bigwig movie producer played by Robert Downey Jr. (in a performance predating his breakout success in the noughties). Fortunately, despite all of this, Bowfinger is not pretentious; it just has layers of thoughtfulness which give way to hilarious moments and a few genuinely touching, heartfelt scenes.

    Martin is a delight as Bowfinger; his performance is just as energetic, appealing and hilarious as the script. Rather than an over-the-top caricature, Martin’s Bobby Bowfinger is likeable, down-to-earth and human. Sure, Martin is not Oscar-worthy, but acting this well-nuanced is a rarity in mainstream studio comedies. Meanwhile, Murphy is equally remarkable in dual role duty, playing both Kit Ramsey and Kit’s brother Jiff. Murphy pulls off both characters remarkably well, but Jiff is the standout. And as wannabe actress Daisy, Heather Graham’s performance is delightfully high-spirited and giddy, while Christine Baranski’s work is fabulous as one of Bowfinger’s loyal cast members. The list of standout performers goes on and on - suffice it to say, each and every one of them hit their marks brilliantly, and there is not a weak spot to be found.

    Bowfinger is good, clean entertainment; achieving laughs without sacrificing narrative integrity or stooping to the level of flatulence jokes or bathroom humour. With gags and insights throughout the picture, it entertains while sending up Hollywood’s vanity and shallowness. And it has infinite replay value.

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Transfer Quality

Video

    Shock debuts Bowfinger on Blu-ray with a 1080p, AVC-encoded high definition presentation (framed at the movie's original aspect ratio of 1.85:1) which has visibly been struck from a dated source. Indeed, it's apparent that this is a DVD-era master which was probably created around the time of the movie's DVD release in early 2000, and it carries all the earmarks of a Universal catalogue title - there's a bit of edge enhancement, some print damage (i.e. small specks and tears), and above all lots of apparent digital noise reduction. As a result, the master itself is perfectly fine for a compressed DVD, but a high definition upgrade highlights said master's shortcomings with more precision.

    Owing to the fact that the master is taken from an older scan, it is a bit soft on the whole, and the colour scheme is definitely lacking in vibrance. The colours look true to how the film looked theatrically, but blacks are weak - and in an era where we're constantly spoiled by Ultra HD and High Dynamic Range (1999's The Mummy looks stunning on 4K), it's hard to accept such muted-looking colours. Contrast is weak, too. Furthermore, the transfer does have a tendency to look smeary in places due to the palpable DNR application. Don't expect the finest of details on anything, as textures are basic for a HD presentation - there's certainly no "pop" like you would see on a reference-quality catalogue release. Of course, none of this is the fault of Shock, as they were simply working with the only master that they had access to. The encoding is competent at least, with nothing in the way of aliasing, banding, or any other anomalies.

    During the transfer's strongest moments, it's eminently watchable for sure, and casual viewers probably won't have many issues with it. But for videophiles such as myself, the presentation is limited and just barely does the job. At least it's a step up from the DVD, especially with the film being played at the correct pitch, without any PAL speed-up. Out of the grand pantheon of dated Universal transfers, Bowfinger is somewhere in the middle. At least there is still light traces of grain in most shots, and there's no unsightly compression-related digital noise. Plus, edge enhancement is minimal and not overly distracting. It's certainly not as bad as Tremors, but it pales in comparison to recent Universal remasters of The Breakfast Club and Apollo 13. Bowfinger is crying out for a remaster, but I would have even taken the old master without the processing. This may be a minor comedy from the '90s, but it deserves better.

    There are no subtitles available, in any language.


Video Ratings Summary
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Audio

    News on the audio front is a bit better. A welcome upgrade over the DVD's lossy audio track, Shock provides a lossless DTS-HD MA 5.1 mix, which is also the sole audio option on the disc. This is a dialogue-driven comedy, so don't expect demo material, but the track gets it right where it counts - dialogue is always easy to hear and comprehend, while music comes through with impact and precision. Dynamic range is limited, but this is traceable to the source - Bowfinger certainly didn't need a Dolby Atmos track. Plus, the lossless encode allows for a crisp listening experience without any hissing, dropouts or crackling. No complaints from me, I can't imagine the audio being much better.

Audio Ratings Summary
Dialogue
Audio Sync
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Surround Channel Use
Subwoofer
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Extras

    Tragically, there is not a single special feature here. The main menu only has two options: "Play Film" and "Scenes." If you like extras, hold onto Universal's collector's edition DVD.

R4 vs R1

NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.

    Currently, Bowfinger has not seen a Blu-ray release in the United States. The only other available Blu-ray is from Fabulous Films in the United Kingdom, which comes with the following extras, carried over from the DVD:

    The Fabulous Films disc is the easy winner. If you care about special features, the Fabulous Films release is a recommended import, especially since it's coded to Region B and will work on all local players. Worth noting that the technical presentation is identical on both releases.

    UPDATE: On August 8th, 2017, Universal released Bowfinger in Region A as a Best Buy exclusive. The disc comes with all the special features of the Fabulous Films release, as well as English and French subtitles. Reportedly, the HD transfer is identical. With its subtitle options, however, the Region A is the superior release - though it comes down to your personal preference.

Summary

    I love Bowfinger, it has been one of my go-to fun movies for over fifteen years. It's entertaining, genuinely funny, fast-paced, and it has a great cast. I have no hesitation in recommending this timeless comedy.

    Arriving in a slate with a few other Universal catalogue titles, Bowfinger is a very by-the-numbers release from Shock. Without anything in the way of subtitles or special features, this is a basic upgrade which at least provides a lossless audio track and a so-so transfer which improves upon the dated DVD. If that's enough, it's worth a buy, especially with the budget pricetag, but I do hope a superior release sees the light of day sometime in the future.

Ratings (out of 5)

Video
Audio
Extras
Plot
Overall

© Callum Knox (I studied biology)
Wednesday, July 26, 2017
Review Equipment
DVDSamsung UBD-K8500 4K HDR Blu-Ray Player, using HDMI output
DisplayLG OLED65E6T. This display device is 16x9 capable. This display device has a maximum native resolution of 2160p.
Audio DecoderBuilt in to amplifier/receiver. This audio decoder/receiver has not been calibrated.
AmplificationSamsung Series 7 HT-J7750W
SpeakersSamsung Tall Boy speakers, 7.1 set-up

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